{"version":"1.0","provider_name":"Antsoaingo Udala \/ Ayuntamiento de Anso\u00e1in","provider_url":"http:\/\/www.ansoain.es\/eu\/","author_name":"ansoainantsoain","author_url":"http:\/\/www.ansoain.es\/eu\/author\/ansoainantsoain\/","title":"Misoginia y spoilers - Antsoaingo Udala \/ Ayuntamiento de Anso\u00e1in","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"eVvlJmBYdG\"><a href=\"http:\/\/www.ansoain.es\/eu\/eventos\/misoginia-y-spoilers\/\">Misoginia y spoilers<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"http:\/\/www.ansoain.es\/eu\/eventos\/misoginia-y-spoilers\/embed\/#?secret=eVvlJmBYdG\" width=\"600\" height=\"338\" title=\"&#8220;Misoginia y spoilers&#8221; &#8212; Antsoaingo Udala \/ Ayuntamiento de Anso\u00e1in\" data-secret=\"eVvlJmBYdG\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=http:\/\/www.ansoain.es\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"http:\/\/www.ansoain.es\/wp-content\/uploads\/2025\/02\/9.-Misoginia-y-spoilers-27.jpg","thumbnail_width":2125,"thumbnail_height":1417,"description":"Taldea: In Extremis Henrik Ibsen norvegiar egilearen lanetan etengabeak dira harreman itogarrietan harrapatutako emakumezko pertsonaiak, non gizonek boterea erabiltzen duten, kontrolera eta bere adierazpen bortitzenera, suntsipenera bideratutako boterea. Hedda Gabler, Ibsenen obratik abiatuta, publikoari testu klasikoen maisutasun ukaezina zalantzan jartzea proposatu nahi diogu, baina agian testu klasikoek begirada kritikoa merezi dute, hain zuzen ere gure [&hellip;]"}